ANGUS GOODEARL (lighting designer) Their goal and passion in the theatre is to create impactful and accessible theatre that helps to break down the barriers that keep people distant from each other. Though Angus works primarily with light as a medium, he considers himself a theatre artist and collaborator first, and a lighting designer second. Angus hails from eastern Massachusetts, studied Lighting Design and Political Science at Boston University, and is currently based in NYC. Their previous designs have been featured at the Bethany Arts Center (Ossining, NY) and the Weston Theatre Company (Weston, VT).
GRAHAM KINDRED (lighting design) — Graham has been designing in New York for the past 10 years. While here, he has worked on Broadway, at Lincoln Center, and Off-Broadway. Outside of the city, his credits range from regional theater to national tours, to theme parks with SeaWorld Orlando, to China, as a part of the Shanghai 2010 World Expo. Before moving to New York, Graham won the Illuminating Engineering Society Design Award for Architectural Lighting in Philadelphia.
SHELBY MORGNER JOHNSON (costume design) — Shelby Morgner Johnson has been involved in fashion and the fine arts for over 20 years. She studied fashion design at Parsons School of Design and worked as a freelance designer for NY apparel companies. She has created costumes for the Rhinebeck Theatre Society’s production of The Sisters Rosenzweig (2010), The Man Who Came to Dinner (2011), 1776 (2012), including set dressing for ‘Night, Mother (2012). She designed costumes for Voice Theatre’s 2012 production of Season’s Greetings (directed by Shauna Kanter). She is thrilled to tap her Texas roots for the costume designs for Birds on a Wire.
WHEELER MOON (lighting design) — Wheeler is excited to be working with Voice Theatre for the first time this summer. As a New York based lighting designer and associate, recent credits include: Bomba and the Coqui (Piper Theatre), Nothing is What it Seems (Theatre Row/T. Schreiber Studio), As You Like It (Smith Street Stage), Assassins and Peter and the Starcatcher (Gallery Players), The Ruthless Cosmopolitan (The New School), and the most recent Google I/O Connect developer event in Miami. National tour credits: Elf The Musical (Assoc. LD) & Hairspray (Asst. LD). Regional theatre credits: Tick, Tick, Boom! and Tommy & Me (Assoc. LD, Bucks County Playhouse), Beauty and the Beast (Assoc. LD, Area Stage Company), Homegrown (Cumberland County Playhouse). He also had the chance to design the world premiere of Nouveau Sud’s Circus production of Revól: The Story of a Flag, which won Best Circus Performance in Charlotte, North Carolina. Wheeler has upcoming shows with Area Stage Company and more of the summer season at Bucks County Playhouse. He has also worked on shows for New Jersey Ballet, Royal Welsh College of Music and Drama, Weston Theater Company, and Shakespeare Theatre of New Jersey. Wheeler is a proud alum of the University of North Carolina School of the Arts where he earned his BFA in lighting design.
SUZY MORRIS (costume design) — Suzy has designed and built costumes for the NYC Village Halloween Parade, Tribeca Film Festival, the Balkin Golden Fest in Brooklyn, NYC Fringe Festival, and several Red Carpet events in NYC. Suzy has designed and built extensively for the Rhinebeck Sinterklaas Parade and Festival, and for several theaters in the area. Recent local productions include: Circle Mirror Transformation, Sight Unseen, Scrooge and Son, The Long Christmas Dinner, and Pullman Car Hiawatha as well as The Skin of Our Teeth for Voice Theatre. Suzy has a BA in Theater Design.
JULIANA VAN HAUBRICH (scenic design) — Juliana is enjoying her first season with Voice Theatre. Regional: Arena Theatre /Dallas Theatre Center (Ann, National Tour); Shakespeare & Company (Heisenberg, The Waverly Gallery); WAM Theatre (Melancholy Play, Old Mezzo, Emilie, Holy Laughter, In Darfur, Last Wife, Lady Randy); Chester Theatre (I And You, Disgraced, Curve of Departure); Berkshire Theatre Group (Bakelite Masterpiece); Dorset Theatre (Ann); and the Adirondack Theatre Festival (The Whale). NYC: The Acting Company (Pudd’nhead Wilson, The Taming of the Shrew); The Juilliard School (La Cenerentola, Richard II); Present Company Theatre (A Word to No One) and in LA: Echo Theatre (Uncle Vanya, Ghosts in the Cottonwood). TV: TNT (“Babylon 5”), BBC (“Bugs”), Paramount (“Star Trek NG/Voyager.”) Juliana holds an MFA in Scenic Design from CalArts. Online: JvonHdesigns.com.